Robert Dante
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Lessons in Charm
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with some few precious possessions, I treasure too
our Scorpions, in each tail
a self-indulgence
like a black leather rose, rising
from a red bible,
red as lips which kiss arteries,
smooth as thumbs along lapels,
hammers of steel ringing
against evening’s elemental colors, as we
pause to catch our breaths
between ticket stubs—
we try to remember what day it is,
which city we’re in, Teasingly—
“The South ain’t what it was,” I sigh;
“It never was,” you say.
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Miles Per Hour
(for Sally Richardson)
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one motel room after another
the same motel bed
night on night
the same TV sit-coms
different sets, unnumbered channels
a postcard for my pocket,
as I leave, a book of matches,
too—
I smoke that cigarette I stubbed out
yesterday, about this time—
the maid made my bed by noon
while I was gone, again
(I think the same invisible maid
follows me, a few miles behind)—
I can’t stand it
I walk to the restaurant around the corner
yes checkered curtains
yes mints by the cash register
yes the trucks whooshing past
the rattling windows
and yes I recognize my dinner
before we’re introduced
and I Know
Exactly what I’ll dream tonight
while I here watch one
more day of my life disappear, swept
into the evening swirling
down the road.
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Red Telephones
(for Butler)
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a red telephone
makes every call an Emergency—
“Hello? I’ll be right over. . .”
And suddenly I’m eating two pancakes
a Sunday afternoon, with friend Butler,
watching police cars
cruise by shimmering with sun heat
over cold coffee and conversation
through a diner’s pale florescent lights
We’re in one hell of a hurry,
deadline coming,
under the gun
and ready to Go
I glance at my watch from
time to time as though to check
some urgent schedule
or countdown,
even these tile-floor echoes
of my youth
remembered
on the run
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Reverse Revenge
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I am afraid
he couldn’t care less—
I pull the trigger
the bullet spins out through his skull
untwists a few hairs
spirals back into a straight line
picks up velocity as it goes
into the gun’s muzzle—
a puff of smoke snakes in sudden time
back into the barrel as I
unpull the trigger
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I untie him
forgive him
It always works—
he’ll kill himself in three days
and leave his kidneys to a cousin he’s never seen
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Secret Music
(for Ginny)
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1.
I open my eyes
new-light shock
a face I recognize before I see it
says my name
my dream includes reality
it is Boulder Colorado
morning
embracing water
glass on couch-bed table
apartment sounds through open door
embracing miracle in my arms
hands under wool blankets
curtains open to brilliant hour outside
the golden dream continues
two lovers
2.
time begins again
shirts are buttoned
streets climbed
classrooms
one classroom with dancers
two dancers with poetry in their hands
one poem with the gravity of night
two dancers midway between floor and ceiling
two compasses pointing north
one poet watching two dancers with one poem in their hands
one poem with arms and legs
one poem that slowly lifts its head
one poem that steps into the sunlight
with a face I recognize
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The Clouds Had Ribs
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we crash through a few quick towns—
Bobby’s full of coffee, smoking Camels
I stare at oil wells, cattle and cactus:
it’s all a dream where I bomb school buses,
dance black boots over boulders,
see a roof ripped apart, and, shouting,
skitter away
from 2-inch thick tornadoes
in a bamboo garden—
I whisper into the night that I
pulled the pin
and tossed that wizard flash
that killed
Harvey Corman
from rafters I watch
the stool below my legs
tip over and fall
I land on my feet
and confess:
magic in the first degree
I walk away from the lies
those Kill-You realities—
I think somewhere Back There was
a woman who knew me and was not terrified by
that truth
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The Persistence of Memory
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Sunlight billows through
the sea in unanswered worlds
around us—
flowers blossom in my fingers,
down your shoulders and breasts,
unfurling whorls of light along
the singing nerves
inside my sky-brown arms
limbs of coiling smoke, we weave
unloomed imaginations—
we breathe . . .
Direct communication between species
is already a fact,
beyond our merely beating on those barriers
between us—the wolf and human
will howl new poems
into each other’s bones—
we will engrave the trembling planets
with a common footprint
and gaze out at new Zodiacs
through a single eye . . .
We pull ourselves shimmering
up, toward the surface of sleep—
the tentacles inside my chest
fly on a phosphorescent current,
hungry for more
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The Price
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tonight’s
dreams of memory—singing ghosts fill
my small bedroom with northern lights—
on shores of sleep, my footprints take the waves
* * *
today yawns
I wake—a dark skid
the outside bright world a blast of intravenous deja vu
my left hand in the bathroom mirror
rubs an old scar
too much memory in the present tense
can pull anyone’s mind to pieces
but tears do not clot—each night the same
ghosts sing their names,
my younger face
glittering in their eyes
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Traffic Overture
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I
Oh Lord—for all my sins
hypothesized or consummated
in the name of every person I’ve insulted
be he bus driver, friend, or stupid cashier
for all the evils that I have done
for all the good that I have left undone
for all that, and more, much more, oh Lord
if you had wished to punish me
(your fiendish Humor divine)
you would have put me on a narrow road
at a very high speed
in a horrible thunderstorm
with a line of highballing trucks
stuck behind me, honking the heavens apart
and oh Lord here I am
on that road
in this storm
with those trucks coming up my ass,
their bright lights on,
Honking, Honking
Oh Lord I swish, I sway
(will I see tomorrow, ever?)
Oh Lord, Your lightning is terrible
it frightens me from my nails to my hair, and yet
I cannot get off this goddamn road
this road which has no apron or exit;
Here comes another ambulance. . .
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II
visions of Icarus breathing bloody water
consume me, then
Amelia Erhart pressed back into her seat,
knuckles white, muscles weak
next, flashes of hundreds of parachutists
cords wrapped around their ankles
squashed flat on the earth
Oh Lord horrible, this vision of me
wrapped around a tree,
or crawling out of a jagged tangle
to scrawl my blood type in my own blood across the asphalt,
watching my last desperate hieroglyph
wash away under the rain, pink then gone
even as I fade, face-first
or being plucked, nit by nit
out of a chromium grill,
a shoebox of shredded cubic centimeters
of my former self
Horrible, oh Horrible:
Prometheus shrieks at that eagle devouring his liver;
my own Fears with wingtips aflame
are tearing at my nerves—
Will this rain ever end?
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III
Lord Lord Lord Honk Honk Honk
Lord Lord Lord
Honk Honk Honk
Lord Lord Lord
Honk Honk Honk Lord
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